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Geneaology and Taxonomy of the ‘Twentieth-century Renjian Fojiao 人間佛教’Mapping a famen 法門 from Mainland China and Taiwan to Europe
The first part of this paper will discuss concepts and practice of‘twentieth-century renjian fojiao’; it will start analyzing theoretical meanings and doctrinal implications of renjian fojiao in modern and contemporary Mainland China and Taiwan, and assess various case studies of ‘renjian fojiao in practice’ among Buddhist communities since the Republican period onwards and also from the pre-modern Imperial time. I will attempt a taxonomy of these principles and practices, and then ponder whether this renjian fojiao should not be classified as an overall ‘school’(zongpai 宗派) but considered rather as a ‘Dharma gate’ (famen 法門). Secondly, I will consider the transmission of renjian fojiao to Europe, more precisely the Netherlands, in particular I will look at how (Mainland China) Longquan monastery 龍泉寺 (located in Utrecht) and (Taiwan) Fo Guang Shan 佛光山 (located in Amsterdam) are adopting and adapting ‘twentieth-century renjian fojiao’ in the Netherlands. Finally, this paper will conclude by questioning how ‘twentieth-century renjian fojiao’ could be more present in international platforms that are working towards conflict resolutions and peace building, and therefore could intervene and facilitate dialogue and constructive interaction among different cultures and religions in today’s globalized and pluralistic society.
Humanistic Features in Contemporary Chan Practices: Using Fo Guang Chan as an Example
From the transmission and lineage of the Chinese Chan School, the Fo Guang Shan Buddhist Order founded by Venerable Master Hsing Yun derives from the Linji School. The “Fo Guang Chan” initiated by Venerable Master Hsing Yun, emphasizes equal attention to faith and practice, the development of meditation and wisdom, and the practice of compassion and wisdom. This is evident in its method of teaching, curriculum design, setting, and delivery. It fully integrates with modern society, contemporary knowledge and conditions, and has started a new practice of Chan.
Chan Buddhism During the Times of Venerable Master Yixuan and Venerable Master Hsing Yun: Applying Chinese Chan Principles to Contemporary Society
Linji Venerable Master Yixuan 臨濟義玄 (d. 866) and Fo Guang Venerable Master Hsing Yun 佛光星雲 (1927–), although separated by more than a millennium, innovatively applied Chan teachings to the societies in which they lived to help their devotees discover their humanity and transcend their existential conditions. Both religious leaders not only survived persecution, but brought their faiths to greater heights. This paper studies how these masters adapted Chan Buddhist teachings to the woes and conditions of their times. In particular, I shall review how Venerable Master Yixuan and Venerable Master Hsing Yun adapted the teachings of their predecessors, added value to the sociopolitical milieu of their times, and used familiar language to reconcile reality and their beliefs.
Chinese Origin of Humanistic Buddhism and Venerable Master Hsing Yun’s Contribution in the Contemporary Humanistic Buddhist Movement in Taiwan
Humanism has been defined in various ways. It is a contemporary cult or belief calling itself religious but substituting faith in man for faith in god.1 Similarly, humanism is also explained as the faith in the supreme value of self-perfectibility of human personality. However, humanism broadly indicates to a shifting of focus from supernaturalism to naturalism, from transcendental to the existing, from absolute reality to the living reality. Humanism is the term for those aspirations, activities and attainments through which natural man puts on “super nature”.
Rethinking the Precept of Not Taking Money in Contemporary Taiwanese and Mainland Chinese Buddhist Nunneries
Around two and half millennia ago, the order of nuns was established when the Buddha allowed women to join the Buddhist monastic community. Buddhist nuns play prominent and respected roles in the Therīgāthā (Verses of the Elder Nuns) from ancient India. The historical work the Biqiuni zhuan 比丘尼傳 (Biographies of Nuns) reports how Buddhist nuns influenced and contributed to Chinese Buddhism in the medieval era. In recent decades, there has been a strong revival of Chinese Buddhism, amid which Buddhist nuns have exerted an ever-growing impact on the monastic environment, and their opinions have gradually become very influential, particularly in Taiwan. Indeed, as aptly put by Chün-fang Yü (Light 1), “Taiwanese nuns today are highly educated and greatly outnumber monks, characteristics unprecedented in the history of Chinese Buddhism.” In Mainland China, some prominent nuns (e.g., Shi Longlian) have held posts in the official organization of Chinese Buddhism or made significant contributions to Buddhist education and Dharma teaching. However, contemporary Mainland Chinese nuns’ religious life has scarcely been explored or discussed. This study aims to rectify this imbalance by examining a central ethical issue of monastic daily life to which scant scholarly attention has hitherto been paid.
Transnational Networks of Dharma and Development: Engaged Buddhism in the Era of Globalization
The various Buddhist social reformation and liberation movements are broadly referred to as Engaged Buddhist movements. While addressing issues concerning their communities, they have also acquired global dimensions as evident from the transnational networking among Buddhists/Buddhist organizations in Asia, as well as in the West, and the multicultural following that has come to characterize these contemporary Buddhist social movements.
The Relationship Between Buddhism and Chinese Culture
Buddhist culture is part of Chinese traditional culture. The issue of culture has recently become a hot topic of discussion in intellectual and cultural circles. Concerning this discussion, my understanding is shallow and my thoughts immature. However, I believe that the development of human culture is a continuous process, thus traditional and contemporary culture cannot be completely separated. We should draw out all the valuable essentials of traditional culture to enrich and develop a socialist-oriented national culture. My view is that traditional Chinese culture should also include Buddhist culture. At present, there is a biased opinion of equating the former with Confucian culture, and entirely eradicating the role and contribution of Buddhist culture in traditional Chinese culture. This is unfair and not reflective of historical facts.
Humanistic Buddhism and Contemporary Chinese Art
As we enter into the third decade of the twenty-first century, at least two observations can be made. On the one hand, the human condition faces its own extinction as artificial intelligence and climate change substitute basic human habits and habitats. These substitutions simulate—but can arguably never replace—natural human ones. It is not surprising, then, that fundamental aspects of the human world buried by progress into the ashcan of history have risen from the dead. The current renewal of human tribalism and authoritarian systems challenge assumptions of what “progress” and “modernity” as defined by Western Enlightenment is and can be. Indeed, cultural critics have discussed the phenomenon of postmodernity as characterizing the late twentieth century. Can we speak of neo-tradition and post-progress as veins running through the early twenty-first century? We clearly feel the pulse of these veins, but remain unsure of their paths or purpose.
EXPRESSIONS OF THE DHARMA: BUDDHIST ART & CULTURE IN EVERYDAY LIFE
significant ways that art and culture operate in the practice of Buddhism—both historically and in contemporary times. Papers and panels that explore new methodologies for the study of Buddhist art, the contours of Buddhist art curatorial practice, and the challenges of Buddhist art education in se.....
Humanistic Buddhism in Singapore
The term “Humanistic Buddhism” (人間佛教) brings to mind the thisworldly Buddhist teachings of Master Taixu (太虛, 1890–1947), Master Yinshun (印順, 1906–2005), and Venerable Master Hsing Yun (星雲, 1927–). Needless to say, transnational Taiwanese “mega-temples” such as Fo Guang Shan (佛光山) and Tzu Chi Foundation (慈濟功德會) have played a significant role in the propagation of Buddhism and promotion of cultural and philanthropic activities in global-city Singapore and around the world. Yet, unknown to many scholars (and Buddhists) perhaps, the early ideas of Humanistic Buddhism have arrived in Singapore even before these well-known global Taiwanese Buddhist organizations. In my talk, I will discuss the history of Singapore’s Humanistic Buddhism from the early twentieth century to the present. I will present the development of Humanistic Buddhism in Singapore into three phases: 1) Taixu’s Human Life Buddhism (人生佛教); 2) Yen Pei’s (演培, 1917–1996) Humanistic Buddhism; and 3) development of Taiwanese Humanistic Buddhist organizations in contemporary Singapore.