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Venerable Master Hsing Yun and the Reinterpretation of the “Pure Land” within Humanistic Buddhism
This essay examines the teaching of Venerable Master Hsing Yun, one of the leading active proponents of Humanistic Buddhism. It begins by discussing the historical and contemporary status of Humanistic Buddhism, contextualizing it as a movement borne out of modernist influences and demands placed upon Buddhism to adapt and reform according to an everchanging social world. Venerable Master Hsing Yun’s notion of “the Pure Land,” a Buddhist concept he reinterprets as demanding the creation of an “earthly” Pure Land is examined. This interpretation, it is argued, is tied to pragmatic concerns regarding the necessity to reform Buddhist practices in order to successfully spread Buddhist teachings in the modern world. The essay draws parallels between the example of socially engaged practices of Christian missions at the turn of the century in China and the rationale underlying the drive to reform among nascent Humanistic Buddhists, such as in the teaching of Master TaiSxu. The example of Venerable Master Hsing Yun’s advocacy for creating an “earthly” Pure Land demonstrates how contemporary Humanistic Buddhist theory follows this logic and interprets traditional Buddhist teachings as advocating for socially engaged practices among both monastics and laypeople. To this end, Venerable Master Hsing Yun’s teaching regarding “life education” reinterprets spiritual development as practices designed to improve the external world rather than solely the individual’s internal world. This is demonstrated in Fo Guang Shan’s strategy of spreading Buddhism in mainland China through cultural education and activities rather than proselytization.
Buddhist Responses to Contemporary Issues of Race, Racial Prejudice, and Social Justice
What are the ethical implications of race? Is there a cogent Buddhist riposte to critical race theory, acknowledging both personal and multifactorial determinants associated with racialization? Does conceptually viewing the world through a lens of race foster unwholesome states of duḥkha, especially considering an unequal distribution of power and resources? I will explore how the Buddha viewed race and whether there is an appropriate Buddhist response to historical disadvantage. In this paper I will apply a Buddhist outlook to contemporary ethical dilemmas of race, racism, and racialization, particularly within the United States. I will expound upon Buddhist applied ethics consistent with middle way consciousness. I will survey Nietzsche’s framing of morality as a response to oppression, calibrating the evolution of suffering, followed by investigating the understanding of separateness, as contrasted to Buddhist interconnection. Then, I will investigate whether the idea of inequality is a result of exploitation, irrespective of personal characteristics and qualities, and uncontrollable factors—or whether this framing is outside of Buddhist purview. Finally, I will apply race to the context of karma, self-realization, and nirvāṇa.
EXPRESSIONS OF THE DHARMA: BUDDHIST ART & CULTURE IN EVERYDAY LIFE
significant ways that art and culture operate in the practice of Buddhism—both historically and in contemporary times. Papers and panels that explore new methodologies for the study of Buddhist art, the contours of Buddhist art curatorial practice, and the challenges of Buddhist art education in se.....
Beyond The Stroke: The Dharma of One-Stroke Calligraphy
In his book, Travel Like the Clouds and Water , Venerable Master Hsing Yun, who is one of the main proponents of Humanistic Buddhism, instructs the viewers of his one-stroke calligraphy to look inside his heart and not just at the characters he uses in calligraphic writing. Considering that calligraphy is the highest form of East Asian art, anyone who is not familiar with its immense and complex body of theory and principles could find this simplistic instruction intimidating. How does one look beyond the cursive black lines and forms of an ink artwork that appears to be unskillfully brushed on white paper? Can the core concepts and guiding principles of Humanistic Buddhism help one realize the altruistic meaning of a monk’s contemporary calligraphy? More importantly, can Humanistic Buddhist art inspire the awakening of bodhi in the viewer?
Humanistic Buddhism: Responding to Contemporary Developments
There are contemporary approaches to the use of Buddhist practices that can be said to be revolutionary in terms of how we study and evaluate the tradition. Since these practices are directed toward the public domain, they are one type of “Humanistic Buddhism.” A challenge for Buddhist groups is how to respond to these developments. A similar challenge exists for the academic study of Buddhism. How can we understand and deal with the contemporary world that has emerged?
Venerable Master Hsing Yun’s Humanistic Buddhism–New Dawn of True Dharma
The title “venerable master” as used by contemporary Chinese Buddhists appears to have been demeaned and misused, to the extent of sometimes being generally used in reference to male and female monastics. In fact, the word “master” has the Sanskrit root of “śāstṛ,” and is a rather highly esteemed title in Buddhism. As the Itivṛttakasūtra5explains, the title refers to sagely monastics who have attained at least the stage of stream-entere, and up to that of a buddha. Their presence in this world ensures that the wisdom of the Dharma can guide others towards transcending the mundane, bringing boundless benefit and joy to them.
Humanistic Buddhism: Responding to Contemporary Developments
There are contemporary approaches to the use of Buddhist practices that can be considered revolutionary in terms of how we study and evaluate the tradition. Since these practices are directed toward the public domain, they are one type of “Humanistic Buddhism.” A challenge for Buddhist groups is how to respond to these developments. A similar challenge exists for the academic study of Buddhism. How can we understand and deal with the contemporary world that has emerged?
Tracking the "Human" in Humanistic Buddhism (Ⅰ)
Perhaps Buddhism's greatest strength has been its endless ability to adopt and adapt to new environments and cultural contexts. Buddhist practitioners down through the ages have been amazingly adept at applying Creative Hermen-eutics, that is, serving as effective messengers for the underlying meaning of Buddhist Dharma in innovative ways. As we seek to translate Buddhism into a fitting form for the contemporary world, Humanistic Buddhism demonstrates great potential to "speak" to every individual, initially as a human being but also as a "buddha to be."
Studies on Humanistic Buddhism I: Foundational Thoughts
Studies on Humanistic Buddhism I: Foundational Thoughts
Humanistic Buddhism in Singapore
The term “Humanistic Buddhism” (人間佛教) brings to mind the thisworldly Buddhist teachings of Master Taixu (太虛, 1890–1947), Master Yinshun (印順, 1906–2005), and Venerable Master Hsing Yun (星雲, 1927–). Needless to say, transnational Taiwanese “mega-temples” such as Fo Guang Shan (佛光山) and Tzu Chi Foundation (慈濟功德會) have played a significant role in the propagation of Buddhism and promotion of cultural and philanthropic activities in global-city Singapore and around the world. Yet, unknown to many scholars (and Buddhists) perhaps, the early ideas of Humanistic Buddhism have arrived in Singapore even before these well-known global Taiwanese Buddhist organizations. In my talk, I will discuss the history of Singapore’s Humanistic Buddhism from the early twentieth century to the present. I will present the development of Humanistic Buddhism in Singapore into three phases: 1) Taixu’s Human Life Buddhism (人生佛教); 2) Yen Pei’s (演培, 1917–1996) Humanistic Buddhism; and 3) development of Taiwanese Humanistic Buddhist organizations in contemporary Singapore.
