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Dharma Function with Sound, Dharma Propagation with Music–A Study of Buddhist Chants and Buddhist Songs of Fo Guang Chan
This paper introduces the historical development and current state of Buddhist chants and songs at Fo Guang Shan, an international Buddhist headquarters founded by Venerable Master Hsing Yun. This study also offers academic analysis of the musical forms from a selected set of Buddhist chants and songs with a specific focus on how particular musical forms are manifested in these as well as why they have become popular. Most of the musical scores are transcribed by the author, some of them from recordings made in the main shrine of Fo Guang Shan, and others provided by the Fo Guang Shan Institute of Humanistic Buddhism.
A Study on Chan Master Zhanran Yuancheng and His Work Zongmen Huowen
Venerable Master Hsing Yun's Methodology for the Practice of Humanistic Buddhism: a Case Study of Chan at Hsi Lai Temple
本文以星雲大師「人間佛教」的實踐為研究對象。本研究將從幾個面向展開:禪的定義、禪在西來寺的實踐、以及對其進行評估,並作為現代社會的一個基本準則。
Humanistic Features in Contemporary Chan Practices: Using Fo Guang Chan as an Example
From the transmission and lineage of the Chinese Chan School, the Fo Guang Shan Buddhist Order founded by Venerable Master Hsing Yun derives from the Linji School. The “Fo Guang Chan” initiated by Venerable Master Hsing Yun, emphasizes equal attention to faith and practice, the development of meditation and wisdom, and the practice of compassion and wisdom. This is evident in its method of teaching, curriculum design, setting, and delivery. It fully integrates with modern society, contemporary knowledge and conditions, and has started a new practice of Chan.