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A Study of the Jin'gang pi
Tiantai school flourished during the time of its founder, Zhiyi (538-597), and went into decline after his disciple Guanding (561-632) passed away. The adjust it to the changing environment of the Tang China composed a number of exegetic and explanatory works. His effort culminated in his final masterpiece: Jin'gang pi (The Diamond Cutter). In this text, Zhanran presented specifically Tiantai interpretation of the idea that even insentient beings possess the Buddha nature; an argument which opposed the widely accepted interpretation of the Mahaparinirvāṇa sutra statement that only sentient beings possess the Buddha nature.
Chinese Interpretations of Indian Buddhism: From the Mahāprajñāpāramitā Upadeśa’s “Three Samādhis” to Zhiyi’s “Threefold Contemplation”
This study examines the early Mahāyāna commentary, the Upadeśa through the doctrinal and practical aspects of the three samādhis and how it has influenced the thoughts and practices of Zhiyi’s threefold contemplation. The approach on examining Zhiyi’s relation to the Upadeśa through our position in the historical and textual context of the Upadeśa and of Zhiyi has opened up to a strong implication and verification of their connection. In addition, our brief study on the citation of the Upadeśa in Zhiyi’s extant textual exegeses indicated his frequent usages of the commentary both in his early and later works.
