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Sacred Secularities: Ritual and Social Engagement in a Global Buddhist China
Surrounded by greenery and build on a quiet hillside in an unincorporated suburban community of Los Angeles County lies a brightly colored Chinese Buddhist temple. This Temple, Hsi Lai Temple xilai si 西來寺 or ‘Coming West Temple’ in English, is one of the biggest Chinese temples in the US and serves as the North American headquarters of the modernist Han Buddhist order Fo Guang Shan 佛光山 (Buddha’s Light Mountain). The Buddhist tradition promoted by Fo Guang Shan is renjian 人間or Humanistic Buddhism.1 It is a modern Buddhist tradition with its roots in late 19th and early 20th century China that has become Buddhist mainstream in Taiwan today (Long 2000). Fo Guang Shan is one of the biggest promoters of this tradition, not only in Taiwan but on a global scale, and while different groups have adapted different interpretations of renjian Buddhism, one of the primary characteristics of this modern tradition is a new esteem for society, or, in other words, the sphere of ‘the secular’.
The Influence of Indian and Buddhist Elements in Medieval China: A Study of Buddha’s Birthday Celebrations In Luoyang during the Northern Wei dynasty
The Buddha’s birthday festival reached an unprecedented level of grandeur during the rule of Northern Wei when its capital was at Luoyang (495 to 534 CE). Buddhism was indigenous to neither the rulers nor the native Han Chinese. Yet, the Buddha’s birthday celebration on the eighth day of the fourth lunar month became a popular ritual in which the entire city participated. This paper studies a particular phenomenon in this public ritual, the use of carriages in image processions, tracing the heritage of these carriages back to the religion’s land of origin, India, and their literary sources. The intention of this paper is to study the reasons for such phenomenal success, in particular as they relate to the functional role of a religious festival and how the tenets of a religion can enable itself to be popular and sustainable. The Buddha’s birthday is a relevant case study because over 1,500 years later, countries such as Cambodia, Hong Kong, Macau, Malaysia, Myanmar, Nepal, Singapore, South Korea, Sri Lanka, Taiwan, Thailand and Vietnam continue to celebrate it as their public holiday.
Geneaology and Taxonomy of the “Twentiethcentury Renjian Fojiao 人間佛教” Mapping a famen 法門 from Mainland China and Taiwan to Europe
Since the late Qing, Chinese Buddhists had been rethinking and restructuring Buddhist institutions and practices in order to fit a new historical period, the challenges posed in 1898 by the Hundred Days Reform and the movement (Goossaert 2006), and the framework created by the recent new phase of globalization (which includes, first of all, the successful spread of Christianity in Asia) (Tze Ming Ng 2012).
A Study of the Jin'gang pi
Tiantai school flourished during the time of its founder, Zhiyi (538-597), and went into decline after his disciple Guanding (561-632) passed away. The adjust it to the changing environment of the Tang China composed a number of exegetic and explanatory works. His effort culminated in his final masterpiece: Jin'gang pi (The Diamond Cutter). In this text, Zhanran presented specifically Tiantai interpretation of the idea that even insentient beings possess the Buddha nature; an argument which opposed the widely accepted interpretation of the Mahaparinirvāṇa sutra statement that only sentient beings possess the Buddha nature.
Venerable Master Hsing Yun’s Concept of True Practice in the Context of the History of Chan Thought–A Discussion of Symbolic Implications of Early Chan Buddhism and the Laṅkāvatāra Sūtra
This article examines Venerable Master Hsing Yun’s thought in the context of the history of the ideas of Chan Buddhism, which can be seen as a continuation of early Chan thought. Contextualizing the practices in the early stage of Chan, this article initially clarifies the influence of the Laṅkāvatāra Sūtra in the early development of Mahāyāna Buddhism in China and the meaning of true practice. The Laṅkāvatāra Sūtra had a significant influence on early Chan masters, especially Bodhidharma. Venerable Master Hsing Yun’s concept of true practice is congruent with the tradition of the early Chan, but is at the same time innovative. His concept of true practice is examined by focusing on four main subjects: 1. the Laṅkāvatāra Sūtra, 2. its relationship with the bodhisattva path, 3. the practice of Chan, and 4. its relationship with the threefold training.
On Modernity and Tradition in Humanistic Buddhism: From Master Taixu to Venerable Master Hsing Yun
Humanistic Buddhism was initially proposed by Master Taixu in early modern times, then refined in theory and verified in practice by a number of eminent monks. It now is a major ideological trend and practical model for Chinese Buddhism in Mainland China, Taiwan, Hong Kong, and Macao. Fo Guang Shan in Taiwan, under the leadership of Venerable Master Hsing Yun, has brought the model of Humanistic Buddhism development worldwide. This has become an important channel for Chinese culture to the world. How is it that Humanistic Buddhism has become a major Buddhist ideological trend on the Chinese mainland? How has it become the way for Buddhism to modernize and to survive? Humanistic Buddhism not only responds to the practical needs of this era, but it is rooted in long-standing Buddhist spiritual traditions and the Buddha’s original intents.
The Localization and Spread of Japanese Buddhism
It is well-known that Japanese Buddhism came from China, and in the course of its acceptance and accommodation into Japanese society, it underwent many changes, whether planned or unintentional. Are these changes original innovations or complacent degeneration? The distinction may be subtle. It is certainly not our role here to resolve this question by passing value judgements, as there might be necessary reasons behind these changes. Rather than simply making a value judgement, the researcher prioritize the pursuit of truth. Having said that, when considering the nature of religion, we must necessarily be concerned with how changes affect the vitality of religion.
The Relationship Between Buddhism and Chinese Culture
Buddhist culture is part of Chinese traditional culture. The issue of culture has recently become a hot topic of discussion in intellectual and cultural circles. Concerning this discussion, my understanding is shallow and my thoughts immature. However, I believe that the development of human culture is a continuous process, thus traditional and contemporary culture cannot be completely separated. We should draw out all the valuable essentials of traditional culture to enrich and develop a socialist-oriented national culture. My view is that traditional Chinese culture should also include Buddhist culture. At present, there is a biased opinion of equating the former with Confucian culture, and entirely eradicating the role and contribution of Buddhist culture in traditional Chinese culture. This is unfair and not reflective of historical facts.
The Harmonious Development Between Humanistic and Traditional Buddhism and its Issues
As is widely known, Humanistic Buddhism is a new movement of teaching, understanding, and practicing modern Han Chinese Buddhism. It has developed rapidly and gained broad support in Mainland China and Taiwan. It has been very successful in Taiwan and has far-reaching influence wherever Han Chinese Buddhism spread. This is especially true of Venerable Master Hsing Yun’s philosophy and practice of it. Such achievements have reinvigorated Buddhism and signal the arrival of a new era in the development of Buddhism.
The Process of Modernizing Buddhism: Two Thousand Years of Rise and Fall in Human History
When Buddhism was transmitted into China over two thousand years ago, during the time of the Han Dynasty, Daoist ritual techniques and arts for achieving immortality were prevalent. As Chinese Republican-period scholar Tang Yongtong pointed out: During the Han period, other than the major rituals of worshipping heaven, earth, mountains, and rivers, there were many other types of sacrificial worship. Prior to the Qin Dynasty, there was already the belief that one must perform specific Daoist ritual techniques and arts in order evoke higher spiritual powers.
