站內檢索
A Study of the Jin'gang pi
Tiantai school flourished during the time of its founder, Zhiyi (538-597), and went into decline after his disciple Guanding (561-632) passed away. The adjust it to the changing environment of the Tang China composed a number of exegetic and explanatory works. His effort culminated in his final masterpiece: Jin'gang pi (The Diamond Cutter). In this text, Zhanran presented specifically Tiantai interpretation of the idea that even insentient beings possess the Buddha nature; an argument which opposed the widely accepted interpretation of the Mahaparinirvāṇa sutra statement that only sentient beings possess the Buddha nature.
Venerable Master Hsing Yun’s Environmental Thoughts: A Beautiful Mind for a more Sustainable World
The world is on fire. 2020 saw global temperatures rise 1.2°C above pre-industrial levels. The rising temperatures have triggered violent weather events such as recent heatwaves in Canada, floods in Germany, and wildfires in Australia. Adversely, impacting our food supply, health, economic livelihood, and living conditions. From the famous Fire Sermon in Ādittapariyāya Sutta of the Pāli canon, the Buddha depicts a seemingly similar burning world where “everything is burning…burning with the fires of greed, hate, and delusion.” Our degrading environment can thus be seen as a man-made crisis driven by the three fires of “greedy consumer cultures (i.e. greed), dissatisfaction (i.e. hatred), and other attitudes that can be looked upon as vices (i.e. delusion).” Traditional Buddhist texts indicate this plausible connection between our degrading environment and our deteriorating human nature. As world leaders gather at the 2021 United Nations Climate Change Conference (COP26) for a way out of our environmental mess, we also look to one of the world’s renowned Buddhist leaders for how Buddhist teachings may offer guidance to address our looming environmental problems.
Venerable Master Hsing Yun’s Aesthetics of Nature
There are three major aspects to Venerable Master Hsing Yun’s aesthetic of nature. One is the idea that heaven and earth are like literary works, which implies an aesthetic narrative of nature. Through the narrative of nature, humans can experience and reflect on the world. Venerable Master Hsing Yun advises that humans stay close to nature so as to broaden their minds and understand the art of learning. The beauty of the narrative of nature lies in the aesthetic of viewing objects in terms of objects, i.e., viewing them from an impersonal perspective. The second aspect is the idea that all sentient beings are equal. Venerable Master Hsing Yun is kind and compassionate to animals and advocates harmony between humans and the rest of the natural world. The third aspect is Venerable Master Hsing Yun’s view on the relationship between Chan and nature, i.e. there is a connection between Chan and the beauty of nature. His view on the aesthetics of nature is deeply influenced by Buddhist concepts such as the three Dharma seals, the theory of dependent origination, all phenomena are nothing but mind, a mind of equality, Chan thought, and Humanistic Buddhism.
The Localization and Spread of Japanese Buddhism
It is well-known that Japanese Buddhism came from China, and in the course of its acceptance and accommodation into Japanese society, it underwent many changes, whether planned or unintentional. Are these changes original innovations or complacent degeneration? The distinction may be subtle. It is certainly not our role here to resolve this question by passing value judgements, as there might be necessary reasons behind these changes. Rather than simply making a value judgement, the researcher prioritize the pursuit of truth. Having said that, when considering the nature of religion, we must necessarily be concerned with how changes affect the vitality of religion.
Exploring the Meaning and Practice of Fo Guang Humanistic Living Chan through Hsing Yun’s Chan Stories
This paper discusses the meaning and practice of Fo Guang Humanistic Living Chan from two aspects: (1) Dharma can only be found in the world: the meaning of Humanistic Buddhism in Hsing Yun’s Chan Stories; and (2) Enlightenment cannot be attained away from the world: daily practice in Hsing Yun’s Chan Stories. Together, these two aspects detail the integration of Humanistic Buddhism into the everyday lives of Fo Guang members. Using Hsing Yun’s Chan Stories as the research subject, Humanistic Buddhism Chan meditation was popularized among Fo Guang members through television broadcasting in the early period (1987). The propagation of the Dharma through such a ubiquitous medium highlights Venerable Master Hsing Yun’s response to the audience’s needs. This approach allowed for exposure and the rapid uptake of Chan meditation in many households, culminating in the worldwide spread of Humanistic Buddhism. The humanistic aspect of Chan meditation can be discussed from the two aspects of “embracing sentient beings” and “self-awakening and liberating others.” Venerable Master Hsing Yun’s has exhorted practitioners of Chan Buddhism to embrace the suffering of sentient beings as the bodhisattva path. As for application in one’s daily life, this paper explores its two aspects of “diligently practice with discipline, and live with simplicity and gratitude” and “skillfully apply it in a lively, interesting and vigorous way.” The application of Humanistic Living Chan is primarily focused on living in accordance with the recepts, contentment, and limiting desires. The expedient ways that Chan masters can help us achieve breakthroughs, realize our true nature, and liberate other beings, underscores the power of Chan meditation.
