站內檢索
Geneaology and Taxonomy of the ‘Twentieth-century Renjian Fojiao 人間佛教’Mapping a famen 法門 from Mainland China and Taiwan to Europe
The first part of this paper will discuss concepts and practice of‘twentieth-century renjian fojiao’; it will start analyzing theoretical meanings and doctrinal implications of renjian fojiao in modern and contemporary Mainland China and Taiwan, and assess various case studies of ‘renjian fojiao in practice’ among Buddhist communities since the Republican period onwards and also from the pre-modern Imperial time. I will attempt a taxonomy of these principles and practices, and then ponder whether this renjian fojiao should not be classified as an overall ‘school’(zongpai 宗派) but considered rather as a ‘Dharma gate’ (famen 法門). Secondly, I will consider the transmission of renjian fojiao to Europe, more precisely the Netherlands, in particular I will look at how (Mainland China) Longquan monastery 龍泉寺 (located in Utrecht) and (Taiwan) Fo Guang Shan 佛光山 (located in Amsterdam) are adopting and adapting ‘twentieth-century renjian fojiao’ in the Netherlands. Finally, this paper will conclude by questioning how ‘twentieth-century renjian fojiao’ could be more present in international platforms that are working towards conflict resolutions and peace building, and therefore could intervene and facilitate dialogue and constructive interaction among different cultures and religions in today’s globalized and pluralistic society.
The Dharma Gate of Non-Duality: Joy and Harmony
The following is an excerpt from Venerable Master Hsing Yun’s diary, which can be found in Chinese within the Complete Works of Venerable Master Hsing Yun. The title “Joy and Harmony” was the theme of the first general conference of the Buddha’s Light International Association (BLIA), which was held at Hsi Lai Temple in California. The “Gate of Non-Duality” refers specifically to the gate at the entrance to Fo Guang Shan Monastery in Taiwan, and more generally to the concept of awareness beyond dichotomies. A couplet above the entryway reads, “This gate is called ‘non-duality,’ duality or non-duality, both are one’s true face. This mountain is Vulture Peak, mountain or no mountain, nothing is not my pure body.” The diary entries provide an intimate look at Venerable Master Hsing Yun’s thoughts and activities over a period of two weeks. Seeing the amount of events he attended, and the number of guests he met, we get a sense of how a “humble monk” was able to create something as great as Fo Guang Shan. Among the mundane details he documented, there are also spiritual gems he left for us to discover. -Ed.
