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Reflections on Venerable Master Hsing Yun’s Temple-Building Endeavor between 1988 and 2000
Fo Guang Shan (FGS) operates one of the most extensive networks of Buddhist temples around the world. This essay reflects on Venerable Master Hsing Yun’s aspiration to spread the Dharma by building temples, and the extent to which his vision of spreading the Dharma to five continents was fulfilled. As a religio-cultural space that can be shared by both monastic and lay, insiders and outsiders, the temples ground the FGS mission of spreading Humanistic Buddhism by creating a shared space and allowing temple goers to transition roles. These roles, which can be overlapping, include visitor, devotee, volunteer, and member.
Situating Buddhist Modernism within a Global Context: The Global Spread of Fo Guang Shan
Appendix: Yang Renshan, a Bodhisattva
A Study of Humanistic Buddhism Returning to India: Observations and Reflections on the Fo Guang Shan New Delhi Educational and Cultural Centre
The journey of Venerable Master Hsing Yun’s Humanistic Buddhism back to India can generally be divided into two stages. The first stage spanned from 1963 to 2008, when the Venerable Master made eight pilgrimages to India and gradually affirmed his desire to bring Buddhism back there. He and some of his monastics began to develop a preliminary plan. The second stage began with the establishment of the New Delhi Educational and Cultural Centre (hereinafter referred to as the Centre). By building a temple, initiating educational programs, setting up charitable clinics, and engaging in cross-cultural exchanges, Buddhism was reestablished in India.
Editor’s Preface: A Treasury of Academic Thought on Humanistic Buddhism
Taking the Retrocession of Taiwan in 1945 as the starting point of the restoration of Chinese Buddhism, along with the emergence of the four major monastic orders on this island, Humanistic Buddhism has just celebrated its seventy-first birthday. However, we should consider that Master Taixu (hereinafter Taixu) first proposed the concept of “Humanistic Buddhism” in his article “On The China Times and the so-called ‘Sūtras and Mantras to Save the Nation’” published in Ocean Waves Magazine Vol. 13, No. 9 (1932), and that he delivered his lecture on “How to Build Humanistic Buddhism” at the Hankou Chamber of Commerce in October of the following year. These first definitions of Humanistic Buddhism included a preliminary explanation of the methodology and philosophy of Humanistic Buddhism, and how it could be developed from this foundation. From this other perspective, it can be said that modern Humanistic Buddhism has been practiced for more than eighty years.
Dharma Function with Sound, Dharma Propagation with Music–A Study of Buddhist Chants and Buddhist Songs of Fo Guang Chan
This paper introduces the historical development and current state of Buddhist chants and songs at Fo Guang Shan, an international Buddhist headquarters founded by Venerable Master Hsing Yun. This study also offers academic analysis of the musical forms from a selected set of Buddhist chants and songs with a specific focus on how particular musical forms are manifested in these as well as why they have become popular. Most of the musical scores are transcribed by the author, some of them from recordings made in the main shrine of Fo Guang Shan, and others provided by the Fo Guang Shan Institute of Humanistic Buddhism.
Situating Buddhist Modernism within a Global Context: The Global Spread of Fo Guang Shan
Only in the last decades has modern Buddhism become a serious topic of academic investigation. Today, however, the field is flourishing. Modern Buddhism in its many forms is studied in many languages and disciplines. Despite this recent advancement, the subject of investigation is not always that clear. What are we talking about when we are speaking of modern Buddhism? This paper aims to tackle this question by considering the global spread of Fo Guang Shan from a transnational perspective. Transnationalism describes a recent advance within the social sciences and humanities to move away from a research approach that examines its object of interest solely by placing it within the context of one nation state. In contrast to the notion of “international,” which according to the transnational perspective refers to the relationship between states, “transnational” refers to the sustained linkages and ongoing exchanges among non-state actors that cross national borders. Thus, if we apply the transnational lens to the study of modern Taiwanese Buddhism, it follows that instead of examining the religion by solely placing it within the boundaries of the ROC, we also consider the many border-crossings, linkages, and movements between Taiwan, China, Japan, Southeast Asia and the rest of the world that have together shaped its current state.
The Concepts and Practices of Vinaya in the Humanistic Buddhism: A Case Study of Fo Guang Shan Monastery
Geneaology and Taxonomy of the ‘Twentieth-century Renjian Fojiao 人間佛教’Mapping a famen 法門 from Mainland China and Taiwan to Europe
The first part of this paper will discuss concepts and practice of‘twentieth-century renjian fojiao’; it will start analyzing theoretical meanings and doctrinal implications of renjian fojiao in modern and contemporary Mainland China and Taiwan, and assess various case studies of ‘renjian fojiao in practice’ among Buddhist communities since the Republican period onwards and also from the pre-modern Imperial time. I will attempt a taxonomy of these principles and practices, and then ponder whether this renjian fojiao should not be classified as an overall ‘school’(zongpai 宗派) but considered rather as a ‘Dharma gate’ (famen 法門). Secondly, I will consider the transmission of renjian fojiao to Europe, more precisely the Netherlands, in particular I will look at how (Mainland China) Longquan monastery 龍泉寺 (located in Utrecht) and (Taiwan) Fo Guang Shan 佛光山 (located in Amsterdam) are adopting and adapting ‘twentieth-century renjian fojiao’ in the Netherlands. Finally, this paper will conclude by questioning how ‘twentieth-century renjian fojiao’ could be more present in international platforms that are working towards conflict resolutions and peace building, and therefore could intervene and facilitate dialogue and constructive interaction among different cultures and religions in today’s globalized and pluralistic society.
Melodic Meditation: Buddhist Chant as a Vehicle for Choral Composition
During the 2017–2018 academic year, it was my good fortune to spend five months in Taiwan researching Buddhist chant as a U.S. Fulbright Senior Scholar. My primary host institution was the Institute of Humanistic Buddhism here at Fo Guang Shan and I worked closely with the capable leaders of the Institute, most notably Venerable Miao Guang. I spent a majority of those five months living in the residence attached to 普賢殿 (Samantabhadra Shrine) on these Fo Guang Shan headquarters monastic grounds. Morning and evening chanting services in the Main Shrine were a typical part of my routine, as was the thrice-daily mealtime chanting.
